AURALITY

The project Aurality catalyses my experimental research into sound and listening with a focus on the ontology of vibrational and resonance phenomena.

Currently it is manifest as an artistic research as well as an open electroacoustic composition that originates in the study of the revolutionary performances of the Theatre Of Eternal Music (or Dream Syndycate) from the early 1960s and their resonance through a vast and diverse network of influences ranging from the classical music of North India to contemporary New Music.